Movies: Opening of Calveryshowtimes at 12:45pm, 4:15pm, 7:15pm, and 9:30pm @ Arklodge Cinemas. Also: Opening of Trip to Italy showtimes at 1:30pm, 4:00pm, 7:00pm, 9:45pm. More Info: http://www.arklodgecinemas.com
Community:VFW Meat Raffle from 4 to 7pm @ Skyway VFW Hall 7421 S. 126th St Seattle, WA 98178. More Info: email firstname.lastname@example.org
Music: Sundae + Mr. Goessl’s CD Release Extravaganza begins at 8:00pm@ The Royal Room 5000 Rainier Avenue South Seattle 98118. Cost: Free. More Info: http://www.theroyalroomseattle.com.
Community: DetectiveCookie’s Urban Chess Club with Pro Chess Instructor H.R.Pitre. From 12:00pm – 2:00pm @ Rainier Beach Community Center: 8825 Rainier Ave South Seattle. Ages 7 and Older. More Info: 206-650-3621 (Detective Cookie)
Sunday, September 14th
Community:43rd Annual Day In The Park: Summer of Love presented by the Mt. Baker Community Clubfrom 10:00am – 3:00pm @Mt.Baker Park. More Info: email@example.com
Civics: Affordable Housing Town Hall featuring City Council member Kshama Sawant at 5:00pm @ The New Holly Gathering Hall: 3815 S Othello Street, Seattle, WA 98118 More Info: firstname.lastname@example.org
Music:Columbia City Beatwalk: Electric Circus begins at 7:30pm @ The Royal Room 5000 Rainier Avenue South Seattle 98118. Cost: Free. More Info: http://www.theroyalroomseattle.com
If you have an event to post, please email email@example.com
Big Chickie (http://www.bigchickie.com/) , located on Rainier & Findlay, is the newest addition to Hillman City. Occupying an area that previously housed a gas station the owners have gotten creative with the space. All seating is set up outside under a covered area & they’ve added waterproof ‘drapes’ to protect customers from the inevitable wet weather ahead. There is some on-site parking and one imagines there will also be quite a bit of take-out business.
The restaurant specializes in charcoal roasted rotisserie chicken (also known as pollo a la brasa), marinated overnight, roasted and then carved to meet your needs (half, quarter, large chicken, small chicken, dark or light meat). Beer, wine and soft drinks as well as an amazing array of sides and homemade sauces complete the menu. Note that vegetarians could easily be sated with the salads, rice & other side dishes.
After a number of little known ‘soft openings’ were successful Big Chickie took down the construction fence and officially opened its doors to Hillman City September 9th, selling out long before the hungry masses were ready. Day two was more of the same with those who missed out on the previous day showing up early to get in line. With only a few kinks to be worked out (when to start the chicken & how much to make) it seems unavoidable that Big Chickie will be a success.
My resident chicken expert (aka my 11 year old boy) provided the following feedback: “We’re going to need more chicken”.
Robin Boland is a contributing columnist, South Seattle Enthusiast, and often is referred to as “little bird” by her friends with heights over 5 ft 7
South Seattle – This Saturday, September 13th, residents of South Seattle will be be able to experience the majestic culture of Japan first hand without stepping one foot outside the southern boundaries of the 206.
SEEDArts, the arts and cultural division of South East Effective Development, is presenting the second installment of their Arts Gumbo series, this one featuring music, dancing and food from Japanese Culture.
The event will take place at the Rainier Valley Cultural Center and will kick off at 6pm with the performance group Mako & Munjuru, who will be showcasing the music and dance of Okinawa and Japan. Using the Okinawan lute, zither, taiko drums and voice, they will combine elegant melodies, folk tales and sophisticated classic tunes to present traditional “island songs”.
Munjuru (which means straw hat) is comprised of three musicians: Mako on vocals & sanshin; Sadayo on kutu; Noriko on taiko; and two dancers Takako and Hitomi.
After the performance, the audience will be treated to a traditional Japanese dinner cooked earlier in the day by Community Kitchens Northwest and local volunteers.
After dining, audience members can participate in a Bon dance workshop. Bon Odori are folk dances traditionally performed during Obon, a Japanese summer festival, to music that includes the steady beat of a taiko. The taiko sits on a raised platform, or a yagura, and musicians use bachi, or drumsticks, on the taiko, to keep time for the Bon dancers. The guiding purpose of Bon Odori is to set aside the ego through unselfconscious dancing.
“With this area being such a diverse place, we feel the the Arts Gumbo series is a wonderful opportunity for the community to engage with, and learn directly from, the various cultures that populate the South Seattle area.” Said Jerri Plumridge, SEEDArts Director.
As elementary children return to school sporting new trendy backpacks splashed with Lego and Frozen logos, I wonder, have they heard about Michael Brown’s story in Ferguson, Missouri? Do children have an opinion about the racial injustices that plague their communities? If children where featured panelists on CNN, could they contribute to the national discourse on race and racism?
I know of at least 60 elementary age children who could discuss Ferguson alongside national experts. Frozen and Lego obsession or not, no amount of consumer culture could undermine the seeds that were planted in the lives of 60 children and their families. That’s because our community was transformed this summer at Urban Impact’s Freedom Schools in Seattle’s Rainier Valley. I was a Servant-Leader Intern who taught the students, called scholars. 60 scholars return to schools across Seattle this week, and my hope rests in them. They will not only be sporting new notebooks and new backpacks, but also, an “I can make a difference” attitude with an increased love for themselves, their families, their communities, their country and their world.
The CDF Freedom Schools model was piloted through Urban Impact because the national curriculum aligns closely with the organization’s mission of breaking cycles of poverty. One way to break poverty cycles in the lives of young people is to create pathways to high-quality education. Children of color stuck in cycles of poverty especially need rigorous summer programs to help close the achievement gap. The multi-ethnic diversity of the scholars reflected the varying communities in Rainier Valley. Families represented countries from the United States, Vietnam, Korea, Ethiopia, Mexico, Peru, Jamaica, and Nigeria.
After six weeks, scholars graduated the program with an increased awareness that injustice continues to mark the world around them but armed with new tools to tackle tough topics like racism, sexism, classism and ageism. Scholars read about and discussed historical figures that transformed their communities while overcoming inequities. They studied the stories of Ruby Bridges, Joe Louis, Clara Barton, Eleanor Roosevelt, Langston Hughes and Desmond Tutu (to name a few) and compared the context of these stories to current events. While strengthening their reading skills, scholars discussed social justice themes that also further developed their critical thinking skills. You see, scholars were equipped this summer. They really can hang with the CNN “big-whigs.”
Seattle public school students just completed their first week of school. As adult members of their communities, however, we must draw out what lies inside the scholars. Children must be contributors to at-large conversations. We can no longer be content with the voices of adults with higher education degrees.
The next time you come across a child, dare to ask them about Ferguson. If they are one of the 12, 745 young scholars in 107 cities and across 29 states that did CDF Freedom Schools, double dare ask them about Ferguson and Michael Brown’s story. They will have an unprecedented insight infused with love. So let their hearts be the key that unlocks the freedom for those of us who are not yet free.
The Skyway area has probably never been so thankful for its hilltop setting as enough tears flowed this past Saturday to precipitate a flood of biblical proportions when the community honored one of its matriarchs in a rousing building dedication ceremony.
“She is the most loving, caring person I’ve ever meet. She is the most selfless person I’ve ever been around!” gushed Harriette Moore, who offered but one in a grand chorus of echoes that lauded the woman whose name will be permanently affixed to the former Renton Area Youth and Family Services West Hill Family Center, Cynthia Ann Green.
The 69 year old retiree spent most of the balmy Saturday afternoon unsuccessfully fighting back tears as the building- located at the intersection of 76th Avenue and S 127th Street in Skyway- that served as her workplace for almost 20 years was designated the Cynthia A. Green Family Center.
Though her title officially read Program Assistant during her 18 year tenure at the Center, most in attendance at the dedication- which included a large swath of community members her work directly impacted, former colleagues, and local luminaries- would have found that akin to referring to Steve Jobs prosaically as a marketer.
Green’s days at the center rarely conformed to a 9-5 schedule as she spent long hours graciously assisting members of the Skyway community in everything from fighting home evictions, to securing enough money to keep utilities on, to providing food for those who had none- many times sharing her own lunch with those who came to the Center starving- to providing a pillar of strength in the midst of personal tragedy.
“Cynthia was your best friend. Your shoulder to cry on. The person who lifted you up when you had a bad day. She just brought out the best in everyone who came into contact with her. Everyone in Skyway still just loves her.” Shared Sherry Dione, a daily visitor to the center.
Confirmed Barb Wiley-Taylor, a long time colleague of Green’s. “I’ve been waiting for years to celebrate Cynthia; it’s so easy to celebrate her. This is long overdue. She’s such an incredible person who has given so much to the community. I’m glad we’re able to celebrate her!”
The celebration- which was a lively affair that featured the reading of an original poem written specifically for the occasion by award winning poet Peggy Williams, a performance from Seattle R&B sensation Shaprece, a proclamation by King County Councilmember Larry Gossett that declared it Cynthia Anne Green Day across the county, and frequent eruptions of applause as what seemed like an endless procession of speakers shared what Green personally meant to them – almost took place without its guest of honor in attendance.
Upon being forced to retire from her position at the center in February in order to care for her ailing mother, Green requested that the community and her colleagues at the center do nothing in recognition of her, and instead parcel out any money they had intended to spend on a celebration to families in the community who demonstrated economic need.
The modest mother of five, who abhors the spotlight, had actually vowed to herself not to attend any ceremony that was planned in her honor.
“I really didn’t want them to make a fuss over me. There are so many people that need help in the community that I thought they should just give any money they were going to spend on me to them.” Said Green. “Up until about an hour before the ceremony I was certain that I wasn’t going, but my husband convinced me that the community really wanted me to be there, and I’d be letting them down if I didn’t attend.”
The celebration’s ad hoc group of organizers included a myriad of friends, associates, and co-workers who Green had amassed during her time at the Center. They were able to construct a novel solution that both honored her request to help needy families and satisfied the communities desire to commemorate her accomplishments.
In addition to the renaming of the building, they founded the Cynthia A. Green Scholarship Fund that will aide families within the community in meeting their basic needs and will be managed by Renton Area Youth and Family Services- the local organization that continues to operate the Center.
All the day’s transpirings came as an immense surprise to the guest of honor, as she had not been made privy to any of the grand gestures the community planned to bestow on her. “I’m utterly shocked.” An overwhelmed Green said through tears as she reflected on the day’s events. “I just thought that people would get up and say a few things about me. I had no idea that they were going to name the building after me and start a fund in my name. I…I can’t believe all of this is happening!”
And although it had been months since the honoree had stepped foot into the building that now bears her name prior to Saturday, her impact and legacy within the community surely would have endured even without her names inscription on one of Skyway’s oldest buildings.
“There’s not a day that someone doesn’t come up here asking for Cynthia, even though she’s been gone for a little while. There isn’t a day that
someone doesn’t tell a story about her, or recount a memory about what she did for them.” recounted Cynthia A Green Family Center Director Morgan Wells.
Added Ginney Ross, a member of the group that Green founded at the center to help support grandparent’s who were sole guardians of their
grandchildren: “She always had this smile on her face that forced you to smile back, no matter how horrible your day had been, and she always has a solution to your problem. We know that there are angels on earth because of people like Cynthia.”
Disclosure: The writer of this article is the proud son of Cynthia Green
I had only been to Bumbershoot a smattering of times over the past few years, and each time had felt vaguely indifferent to the festival as a whole. Mediocre music, moderately priced tickets, and the same old street vendors as were prominent at every Seattle street fair, from University District to Ballard and back again. I walked in this past Saturday, therefore, with mixed expectations.
I was greeted by a very friendly press room, complete with bagels, and after a brief stop, I was on my way into the festival. The eclectic mix of street fair and festival I actually found myself enjoying – if ever there was a gap in the schedule of artists I wanted to see, it was comforting to know that I could at least peruse the wide array of jewelry, merchandise, and fair food available.
The first artist I saw was Dude York, playing inside the Seattle Center. With a subtle flash of my press pass, I was in. However, the queue of would-be attendees wasn’t so lucky. I immediately noticed the space left in the venue – with a little squeezing, all 25 people might have fit. Though the space felt open and uncrowded, for the people who had paid to get into a festival that they were unable to see music at, it was unfortunate. The same held true for many other events – Bill Nye was a wonderful show, but for the line out the door, and other comedy shows were sold out from the start of the day. For those who had come to see specific shows, they may have felt that their tickets had been wasted.
On the whole, the artists we saw were enjoyable. Dude York was some very mediocre punk rock – they channeled the Pixies, but with worse songwriting. However, Big Freedia was perfect in all her sassy glory – her shouted encouragement at twerking women were perfect, and her music spot-on. Mac DeMarco was fun country rock in all of its trucker hat, twangy glory, with some decent songwriting along with charming band members to boot.
Panic! At the Disco was, as usual, awful (why do people like these guys?), but the lead singer partially redeemed himself with one hell of a back flip. Bill Nye took me back to the 90s, again making me overly interested in science – in this instance, sun dials (did you know there’s one on Mars?). Elvis Costello was worth it for sheer celebrity viewing, though his guitar seemed to be about as big as he was, and Polica was hauntingly beautiful in its synth-pop meets soulful singer manner. The award for kick-ass show, however, went to Walk the Moon, whose extremely enthusiastic young lead singer and catchy songs like “Shut Up and Dance With Me” led everyone in the crowd to a dancing, singing, shaking high.
I left feeling like I had gotten my share of good music at a venue that, for downtown Seattle, did a pretty good job of hosting these people. Even the visual art was unique, and provided a welcome break from the madness. Photographs from the 1960s were compelling, and especially enjoyable were the playable video games, which visualized sound in a beautiful way.
All in all, Bumbershoot lived up to its reputation, and even surpassed it. Its idiosyncratic mixture of festival and Seattle street fair made it appealing, and the prevalence of decent artists made the music worthwhile. Most of all, I appreciated the effort that was made to appeal to a wide range of audiences. From Elvis Costello to Big Freedia to Panic! At the Disco to Wu Tang Clan, Bumbershoot on Saturday alone appealed to at least four demographics. Despite the overcrowding and the terrible quality of the maps, I found myself having a lovely time, and experiencing a wide array of artists that I typically wouldn’t have seen at a music festival.
The bottom line: Ultimately, Bumbershoot is what you make it. Next year, buy a ticket for one day, or two, depending on who’s playing, but rest assured that you’ll most definitely find something you like – provided you can get in.
Mary Hubert is a performing artist, director, and arts administrator in the Seattle area. When not producing strange performance concoctions with her company, the Horse in Motion, she is wild about watching weird theater, whiskey, writing and weightlifting.