Tag Archives: Arts

Q&A: Lady Jay The Musical Poetress Talks New Album, Struggle, and Discovering Herself

by Gus Marshall

Lady Jay The Musical Poetress is a contemporary folklorist and modern day story teller who chooses to communicate her truth through the medium of musical poetry.

Self-reflective poems, unabashed and extremely personal, are front and center on Lady Jay’s new album, The BrainBox. Production that runs the gamut from guitar-heavy arena rock, to neo-soul electronica, lays the groundwork for Lady Jay’s powerful message of self-love, perpetual struggle, and soul-filled resilience. Paired with befitting backing tracks produced by Lady Jay’s husband Allen Hunter (also known as “AFlat”), The BrainBox takes the listener on a theatrical journey.

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Queen Street Examines Identity Through Dance

by Leija Farr

Queen Street is an original work by Randy Ford that uses dance to highlight intersectionality through the lens of queer, trans, nonbinary, and gender nonconfirming people of color. The show plays at the Langston Hughes Performing Arts Center Sept. 20 and 21. The event is community- and grant-funded. Visit Brown Paper Tickets to purchase seats. Continue reading Queen Street Examines Identity Through Dance

Black Pride Play Examines the Black Male Body

by Bri Little

NW Black Pride kicked off last night with Black D*ck Matters, written by Kathya Alexander (co-writer of Black to My Roots: African American Tales from Head and the Heart) and directed and produced by Tyrone Brown. The multimedia experimental experience premiered at Gay City in front of a full house, and much like Black Pride itself, the play was provocative. The piece both asks and answers a question aimed toward Black men: How does “it” feel? The answers, revealed throughout the play, unmask the tenderness of Black pain alongside Black pleasure.

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PHOTOS: The Celebratory and Somber Performances of Hai! Japantown

by Carolyn Bick

Under the warm, yellow lights of Kobo in the Chinatown-International District’s Japantown, Mako Willet readied her sanshin, an Okinawan instrument similar to a lute, to play another song, supposed to warn fishermen about stepping on sharp conch shells.

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Javoen Byrd Drums The Beat of His African Heritage

by George Collins

It’s hard to miss Javoen Byrd as he enters Empire Espresso on Edmunds Street in Columbia City. He sports a cream colored outfit with soft gold balls dangling from the collar, an Aso Yoruba. It’s an outfit I’ve seen him wear several times when tapping his hands on a set of drums in celebration of his African heritage.

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Othello Block Party’s Second Volume Drops July 27

by Emerald Staff

The Othello Block Party is back with a second volume of music, dance, and arts on Martin Luther King Jr. Way July 27. And this time with an expansive lineup of Seattle artists bringing songs, dance, and poetry to the of 42nd Avenue near Othello Street.

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Community Arts Create Hosts First South End Heritage Festival July 27

by Carolyn Bick

Festival organizer Benjamin Hunter is excited for the upcoming South End Heritage Festival on July 27, an event meant to blend a musical festival and the Rainier Valley Heritage Festival.

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