by Carolyn Bick
From declaring that they put the ‘ho’ in ‘holiday’ to cheekily taking Amazon to task to listing the various woes I-90 commuters face, the Beaconettes lit up the Columbia City Gallery on the evening of Dec. 14, performing as part of the Columbia City Caroling Extravaganza. Continue reading Beaconettes Serenade the Season With Columbia City Caroling
by Gus Marshall
Lady Jay The Musical Poetress is a contemporary folklorist and modern day story teller who chooses to communicate her truth through the medium of musical poetry.
Self-reflective poems, unabashed and extremely personal, are front and center on Lady Jay’s new album, The BrainBox. Production that runs the gamut from guitar-heavy arena rock, to neo-soul electronica, lays the groundwork for Lady Jay’s powerful message of self-love, perpetual struggle, and soul-filled resilience. Paired with befitting backing tracks produced by Lady Jay’s husband Allen Hunter (also known as “AFlat”), The BrainBox takes the listener on a theatrical journey.
Continue reading Q&A: Lady Jay The Musical Poetress Talks New Album, Struggle, and Discovering Herself
by Leija Farr
Queen Street is an original work by Randy Ford that uses dance to highlight intersectionality through the lens of queer, trans, nonbinary, and gender nonconfirming people of color. The show plays at the Langston Hughes Performing Arts Center Sept. 20 and 21. The event is community- and grant-funded. Visit Brown Paper Tickets to purchase seats. Continue reading Queen Street Examines Identity Through Dance
by Bri Little
NW Black Pride kicked off last night with Black D*ck Matters, written by Kathya Alexander (co-writer of Black to My Roots: African American Tales from Head and the Heart) and directed and produced by Tyrone Brown. The multimedia experimental experience premiered at Gay City in front of a full house, and much like Black Pride itself, the play was provocative. The piece both asks and answers a question aimed toward Black men: How does “it” feel? The answers, revealed throughout the play, unmask the tenderness of Black pain alongside Black pleasure.
Continue reading Black Pride Play Examines the Black Male Body
by Carolyn Bick
Under the warm, yellow lights of Kobo in the Chinatown-International District’s Japantown, Mako Willet readied her sanshin, an Okinawan instrument similar to a lute, to play another song, supposed to warn fishermen about stepping on sharp conch shells.
Continue reading PHOTOS: The Celebratory and Somber Performances of Hai! Japantown
by George Collins
It’s hard to miss Javoen Byrd as he enters Empire Espresso on Edmunds Street in Columbia City. He sports a cream colored outfit with soft gold balls dangling from the collar, an Aso Yoruba. It’s an outfit I’ve seen him wear several times when tapping his hands on a set of drums in celebration of his African heritage.
Continue reading Javoen Byrd Drums The Beat of His African Heritage
by Emerald Staff
The Othello Block Party is back with a second volume of music, dance, and arts on Martin Luther King Jr. Way July 27. And this time with an expansive lineup of Seattle artists bringing songs, dance, and poetry to the of 42nd Avenue near Othello Street.
Continue reading Othello Block Party’s Second Volume Drops July 27