Tag Archives: ballroom

PHOTO ESSAY | 2023 Legendary Children Brought the House Down

by Jas Keimig, photos by Susan Fried


On the evening of Friday, Nov. 17, Paccar Hall at the Olympic Sculpture Park hosted the eighth annual Legendary Children. Featuring the superstars of Seattle’s drag and ballroom scenes, it is an annual celebration of Indigenous, Black, and Brown queer and trans people and legacies that’s been going strong since 2015. On this night, attendees arrived in sparkly tops, sky-high heels, bright-pink fur coats, and perfectly coiffed ’dos to show off on the public runway and to each other. The event was co-organized with The Seattle Public Library (SPL) and the Seattle Art Museum, and the crowd perused SPL tables, sipped bevvies, looked at books from the Legendary Children library courtesy of Loving Room, and hooped and hollered the house down.

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The Royal House of Noir: Seattle’s All-Black Kiki Ballroom House

by Brittany Higgs


The timing couldn’t be better for an all-Black kiki ballroom house to come to the spotlight. The Royal House of Noir is a house of talented and devoted performance artists and community activists in the greater Seattle area. There are currently a total of six members: house parents Lü (she/they/Queen), Chi (they/she/Queen), and CarLarans (he/they/King) and children Avery (they/he), Aísha (she/her/goddess), and Elle (she/her/duchess) Noir. These six individuals are taking the community by storm with their intentionality, mindfulness, and focus on community safety and liberation. 

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Behind the Mask: Public Health Innovator Dr. Stephaun E. Wallace

by Shann Thomas


Dr. Stephaun E. Wallace already had a lengthy list of job titles: the director of external relations for Fred Hutchinson Cancer Research Center’s (Fred Hutch) HIV Vaccine Trials Network (HVTN), faculty appointments at Fred Hutch and the University of Washington (UW), as a staff scientist and clinical assistant professor respectively, in addition to launching the inaugural Office of Community Engagement for the UW/Fred Hutch Center for AIDS Research.

After the COVID-19 pandemic hit, however, Wallace expanded his current job as director of external relations for HVTN to include the COVID-19 Prevention Network (CoVPN), which coordinated all major COVID-19 vaccine efficacy trials except Pfizer-BioNTech’s. 

Wallace smiles, and says, “My mother and my team accuse me of … being a triplet; because they’re like ‘We don’t understand how one person can do all that you do and still … absorb as much information’ as I do, and have the mastery of having to categorize it and spit it back out without much concern or draw there.”

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Legendary Children Takes the Virtual Stage, Celebrating Ballroom and QTBIPOC Culture

by Mark Van Streefkerk 


The fifth anniversary of Legendary Children, a celebration of QTBIPOC art, performance, and ballroom culture, takes the virtual stage this Saturday, November 21. Featuring the work of 25 creatives, including six houses, the star-studded event spotlights the creativity and fierceness of queer and trans Black and Brown communities in the Pacific Northwest. Hosted by CarLarans and Aleksa Manila, Legendary Children will include live house music from DJ Riz Rollins and video content from Seattle Public Library (SPL) artist-in-residence Momma Nikki. Last year the event was held at the Seattle Art Museum in partnership with SPL and other community partners. Due to the pandemic, this year the glitz, glamor, and talent will be live streamed via Facebook and YouTube with production help from Michael B. Maine. The free event begins at 8 p.m. this Saturday, and those wanting to participate in the virtual runway are encouraged to RSVP for a Zoom link here.  

Multi-disciplinary artist Dakota Camacho and performer and artist Adé are co-curators of the event, with guidance from curator-at-large and icon Dr. Stephaun Wallace (Blahnik). Through the unique opportunities of an online platform, Wallace encouraged Legendary Children to reach beyond the spectacle of ballroom culture to its foundation of QTBIPOC community care. The artistry and resilience of ballroom has sustained queer and trans Black and Brown communities for decades, including during the onset of the HIV/AIDS epidemic, adverse political administrations, and now COVID-19.

SPL’s Public Engagement Programs Manager, Davida Ingram, said, “Stephaun Wallace asked us to consider, ‘What’s the substance of house and ball culture?’ Yes it’s fashion, yes it’s fierceness, yes it’s bold, and at its essence is about radical care and love and nurturing.” 

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