Tag Archives: BIPOC Filmmakers

Local Sightings Filmmakers Crack the Alabaster Jesus Façade

by Beverly Aarons

“This film is dedicated to the future memory of white supremacy, the new world’s original gangster,” a deep voice declares. That’s how Manifest Destiny Jesus begins. Orchestral music blares, white text fades onto a black background, the words of English writer William Gilpin come into view: “The untransacted destiny of the American people is to subdue the continent — to rush over this vast field to the Pacific Ocean.”

Seattle’s crane-filled skyline comes into view. Logos of the richest and most powerful corporations in the nation glide down towering skyscrapers. Weathered tent cities cling to a dusty underpass. Seattle: a paragon of westward expansion and capitalist conquest. Fast forward: Displaced Seattleites lament the relentless hammer of gentrification. “I can’t even afford to live here,” a man says. 

A woman sits in Columbia City Church of Hope, a stained glass Jesus hovers above, his ivory hand points westward. 

Manifest Destiny Jesus, which screens at this month’s “Local Sightings” film festival, is a documentary that explores how the widespread portrayal of Jesus as white influences everything from gentrification to police brutality. And how one small church in a gentrifying South Seattle found the courage to ask, “What does it mean to worship a white Jesus?” 

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Reel Youth Film Camp Introduces BIPOC Kids to the World of Filmmaking

by Chamidae Ford

Last week, the Rainier Arts Center premiered its first BIPOC Youth Film Camp. Reel Youth Film Camp is a week-long program that allows Black and Brown kids, ages 7–11, to learn the ins and outs of filmmaking and explore their creative side. 

The idea for a BIPOC film camp stemmed from program instructors, Tiffany Bennett and Obadiah Freeman, who were feeling disappointed by the lack of diversity at other youth film camps. 

“Originally we started doing camps with the Seattle International Film Festival (SIFF) and doing those camps was amazing,” Freeman said. “We both love teaching students of all ages of all types, but we recognize that SIFF was really only providing service to a certain demographic because of the network that they help. So we found that there are opportunities to make that opportunity for others as well … I’ve always been inspired by filmmaking and being Black. And that’s kind of what brings all of what I do together and, I think, what we do.” 

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