by Marcus Harrison Green
(This article was originally published on Real Change and has been reprinted under an agreement.)
Credit Amoako Boafo for achieving the impossible. He’s managed to make Blackness — and its inherent pain, joy, complexity, struggles, and triumph — inescapable in the City of Seattle. At least that was my first impression after leaving the Ghanaian painter’s solo debut exhibit, “Soul of Black Folks,” currently on display at the Seattle Art Museum (SAM).
Continue reading SAM Exhibit Urges Reflection on Black Identity and the Self
by Mark Van Streefkerk
It’s been almost three months since Moses Sun finished his mural “Flourish Together” on the south-facing exterior wall of The Columbia City Theater. The ground-to-roof-sized mural is made up of floral designs in gold, green, and light blue, set against an indigo background, with two abstract hands clasped together in the middle. It wasn’t easy working on an outside mural during the rainy months. The process officially started on Dec. 16, with Sun and his team patiently on call, showing up to paint as the weather permitted. Finished in early January, “Flourish Together” pays homage to a space where cross-cultural connections thrive. Since then, Sun has been hard at work, completing another mural for Starbucks in January and sharing dynamic artworks fused with jazz and hip hop on Instagram, and he’ll be part of a Vivid Matter Collective show debuting this week at Vermillion Art Gallery & Bar. Though his next projects are under wraps, expect to see much more from Sun in the coming months.
Continue reading The Art of Moses Sun Reflects Seattle’s Diaspora, Cultures, and Jazz
by Vivian Hua 華婷婷
(This article first ran in REDEFINE Magazine and appears under a co-publishing agreement.)
Speak to Renton-based visual artist barry johnson for any substantial amount of time, and one quickly understands why his latest catchphrase, “anything is anything,” has become an overarching mantra. As johnson explains, “Because I’m a self-taught artist, [the phrase] gives me freedom …”
“anything is anything” was the title of johnson’s first solo art show at Tacoma’s Alma Mater in August 2019, and is now the title of his weekly podcast on “the origins of myths, idioms, stories, and nonsense.” Both offer tiny glimpses into johnson’s varied interests and atraditional way of moving through traditional art spaces, which has led to an art practice that includes numerous mediums, from painting and architecture to performance and film — all with a focus on Black communities.
Continue reading barry johnson Artist Interview: “anything is anything” Can Become Structural Change