by Mark Van Streefkerk
Bring a lawn chair or blanket and head to El Centro de la Raza in Beacon Hill tonight around 9 p.m. for a screening of Attack The Block, part of a free series of outdoor Black cinema hosted by Sankofa Film Society. Every Saturday night through the end of October, Sankofa will host Black Summer Camp, a series of movies based on the Black experience. Upcoming films include The Last Black Man in San Francisco, Moonlight, Jackie Brown, and much more, ending with Blacula on October 30.
Continue reading Watch Black Cinema Under the Stars Every Saturday Night With Sankofa Film Society →
by Mark Van Streefkerk
Over the last two months, a vibrant mural has spread steadily over the corner of the building on South Hanford Street and Beacon Avenue, now known as Feed The People Plaza. Chef Tarik Abdullah and artist Malcolm “Wolf Delux” Procter , co-creators of the plaza, have curated “an outdoor art incubator space” by and for the Beacon Hill neighborhood. Over 80 artists and community members of all ages have contributed to the evolving mural on the north, east, and west sides of the building, which houses Victrola Coffee Roasters and the Mexican restaurant El Quetzal. In addition to being an organic community collaboration, it’s also an homage to the former site of Kusina Filipina, which closed in 2017. The Paraiso family’s beloved Filipino comfort food restaurant was a cornerstone of the neighborhood for almost a decade. Feed The People Plaza has hosted two socially-distanced events so far, featuring local musicians, poets, pop-up chefs, and vendors.
Continue reading Feed The People Plaza Breathes New Life Into an Iconic Beacon Hill Corner With Art, Food, and Happenings →
by Jasmine Jamillah Mahmoud
Outside, an eerie somberness permeates the atmosphere. Burnt air and still, gray haze evoke our proximity to fire, smoke, evacuations, and devastating climate change. Inside, Kiné Camara uplifts the mood. On screen she glides. Camara reiterates a four-beat movement stepping rightwards, center, leftwards, and then center again. With each step, her head is angled, hands flexed, and shoulders structured to punctuate pulsing music. She is teaching us the Azonto, a Ghanaian dance move that compels our bodies to loop into the entrancing beat across this four-step.
Continue reading ‘Black and Center’ September 2020: Moving With Art in Seattle →