by Sharon Ho Chang
There are still a couple of weeks left to enjoy the fifth annual “Hai! Japantown,” a 20-day summer festival celebrating Seattle’s historic Nihonmachi or Japantown. The festival offers a unique and important opportunity to learn about and support the revival of what was once the West Coast’s second-largest Japanese American community.
“‘Hai! Japantown’ is important because it shows that the spirit of Japantown is still alive,” said Lei Ann Shiramizu, former co-owner of Momo, a cornerstone of Seattle’s Japantown, which just closed last September after 13 years. She has been involved in “Hai! Japantown” from the start (in fact she and her husband named it) and is helping manage social media and the calendar of events for this year’s festival.
“It’s like the Japanese saying, you know, ‘Fall down seven times, get up eight.’ Even during this very, very challenging year, the businesses have managed to stay alive. And not only that, they have continued to thrive because we have some of the small businesses taken over by the next generation … that has infused these businesses or these spaces with young energy and new ideas and it’s wonderful.”
Continue reading ‘Hai! Japantown 2021’: Honoring the Past and Reviving the Present
by Kamna Shastri
The life-size metal sculptures of George and Gerard Tsutakawa — father and son — are solid mainstays gracing public parks and fountains across Seattle today. The sculptures are almost always curved, edges rounded. Rarely will you see sharp, angled corners or ridges in these designs. Continuity runs through each individual sculpture — and between the sculptors themselves. A new exhibit at the Wing Luke Museum, titled “Gerard Tsutakawa: Stories Shaped in Bronze” dives into the public art, inspiration, and processes of both father and son.
Born in 1910, George was Nisei, second generation Japanese American. He was never very interested in his studies, “preferring to practice his drawing and calligraphy,” writes his daughter Mayumi Tsutakawa. George received his B.A. from University of Washington (UW) in 1937 and volunteered for the United States Army during WWII, mostly teaching Japanese at a military intelligence school in Minneapolis. During WWII he also visited his relatives interned at the Lake Tahoe internment camps, where he met his future wife Ayame Kyotani.
Both husband and wife were artists in their own right: Kyotani a gifted practitioner of traditional Japanese dance and flower arrangement and George an architect, designer, and sculptor, among other things. After he completed his M.F.A., also at the UW, George took on faculty positions at the School of Architecture and later the School of Art. He would go on to teach for 37 years, make a home with his wife in Mount Baker, and raise four children surrounded by the rhythms and inspirations of his in-home studio. His artistic career would span 60 years, leaving footprints in Japan, Canada, and across the United States, making him a pillar of Seattle’s Asian American heritage.
Continue reading George and Gerard Tsutakawa’s Artistic Legacy Honored in New Wing Luke Museum Exhibit
by Mark Van Streefkerk
The upcoming graphic novel We Hereby Refuse: Japanese American Resistance to Wartime Incarceration offers a new take on the history of World War II — one told through the resistance of three people. Revolving around the experiences of Jim Akutsu, Hiroshi Kashiwagi, and Mitsuye Endo, We Hereby Refuse weaves their acts of refusal into one overarching plot. A result of a collaboration between co-authors Frank Abe and Tamiko Nimura, illustrated by artists Ross Ishikawa and Matt Sasaki, the 160-page graphic novel is co-published by the Wing Luke Museum and Chin Music Press. The book is slated for release on May 18.
In telling Akutsu, Kashiwagi, and Endo’s stories, “We decided not to do it as three different chapters but as one timeline, one story arc that would interweave these three characters. The focus is not ‘These are three heroes of camp resistance.’ No. There’s an overarching narrative of the incarceration experience,” said Abe. “We call it the ‘story of camp as you’ve never seen it before.’”
Continue reading New Graphic Novel Tells Three Stories of Nikkei Resistance to Wartime Incarceration
by Sharon Maeda
“Daydreaming isn’t allowed in the fast lane. So Bob Shimabukuro has mostly lived life on side streets, taking a detour now and again to help other people along the way.”
That’s how former Seattle Times columnist Jerry Large captured the essence of Bob in 1994. To that I would add: Renaissance Man. In addition to being a writer and a consummate family man, Bob was also an artist, chef, community activist/leader, feminist, furniture designer/woodworker, Hawai‘i-style philosopher, and so much more.
Continue reading Bob Shimabukuro: Side Street Renaissance Man (August 4, 1945-March 29, 2021)
by Ron Chew
(This article was originally published by the International Examiner and has been reprinted under an agreement.)
On Monday, March 29, our hearts were broken. Bob Shimabukuro died peacefully in his southeast Seattle home. We lost a perennial International Examiner writer, columnist, editor, and audacious community champion.
Continue reading Bob Shimabukuro’s Legacy of Community Activism, Art, and Creative Journalism
by Kamna Shastri
When Satsuki Ina’s mother received her reparations check from the US government in apology for incarcerating over 120,000 Japanese Americans between 1942 and 1945, the check ended up somewhere in a stack of papers piled high on her desk. Instead, a framed apology letter leaning against the wall caught Ina’s eye.
“What does this mean for you?” Ina asked her mother.
“I feel like I finally got my face back,” her mother replied.
Continue reading Japanese American Redress and African American Reparations Intertwined
by Susan Kunimatsu
(This article previously appeared on the International Examiner and has been reprinted under an agreement.)
Like most of us, Roger Shimomura has spent the last 10 months in isolation; in his case, his home and studio in Lawrence, Kansas. For Shimomura, the pandemic has been an intellectually fertile, artistically prolific period. The result, 100 ”Little White Lies” is now on view at Greg Kucera Gallery. The 100 untitled paintings, each a 12 by 12-inch square, are numbered in the order in which they were created starting in late 2019. Hung in a single row that wraps around two galleries, they do not form a narrative. They are a stream of consciousness, a visual record of the ideas that occupied the artist during this strange year.
Continue reading Artist Roger Shimomura’s 100 ‘Little White Lies’
by Stanley N Shikuma
Executive orders have been in the news a lot lately. Did you know there have been over 15,000 executive orders signed by 46 presidents in the history of the United States? More than 3,700 were signed by President Franklin Delano Roosevelt (FDR) alone. Yet how many of those executive orders do you remember by number?
The only one I can think of is Executive Order (EO) 9066.
Continue reading Day of Remembrance 2021: Another Time, Another Place
by Anne Liu Kellor
Who cares about gardens and landscape design right now, in a time of widespread grief and despair?
Let me reframe that question.
Who cares about a story of resilience, racism, community, cross-cultural connection, place, and poetry?
Continue reading Book Review: Spirited Stone, Lessons from Kubota’s Garden