The Seattle Globalist was a daily online publication that covered the connections between local and global issues in Seattle. The Emerald is keeping alive its legacy of highlighting our city’s diverse voices by regularly publishing and re-publishing stories aligned with the Globalist’s mission.
It’s not often a consul general of Japan is also a social media phenomenon, but Consul General of Japan in Seattle Hisao Inagaki has received quite a bit of attention for his personal Instagram account featuring paper cranes. Since moving to Seattle in 2020, he has folded one origami paper crane, or “orizuru,” every day to pray for everyone’s health and peace during the pandemic, and he posts a video of the cranes every day on Instagram.
(This article previously appeared on the International Examiner and has been reprinted under an agreement.)
Like most of us, Roger Shimomura has spent the last 10 months in isolation; in his case, his home and studio in Lawrence, Kansas. For Shimomura, the pandemic has been an intellectually fertile, artistically prolific period. The result, 100 ”Little White Lies” is now on view at Greg Kucera Gallery. The 100 untitled paintings, each a 12 by 12-inch square, are numbered in the order in which they were created starting in late 2019. Hung in a single row that wraps around two galleries, they do not form a narrative. They are a stream of consciousness, a visual record of the ideas that occupied the artist during this strange year.
Executive orders have been in the news a lot lately. Did you know there have been over 15,000 executive orders signed by 46 presidents in the history of the United States? More than 3,700 were signed by President Franklin Delano Roosevelt (FDR) alone. Yet how many of those executive orders do you remember by number?
The only one I can think of is Executive Order (EO) 9066.
Though she didn’t celebrate Bunka no Hi herself, when she lived in Japan, Arisa Nakamura now celebrates the modern holiday alongside the community and her fellow Japanese Cultural and Community Center staff and volunteers.
This year marked the organization’s 14th annual celebration of Bunka no Hi, which Nakamura said was originally a celebration of the Emperor Meiji’s birthday, changing in 1948 to commemorate the post-WWII Japanese constitution. While it’s still a national holiday in Japan, it’s now about celebrating and sharing Japanese culture and art, she said.