“This false assertion that the CID isn’t a residential neighborhood has been used over and over again to justify harmful infrastructure projects being placed there,” says artist Tessa Hulls.
by Amanda Ong
On April 8, the Wing Luke Museum debuted two new exhibits, “Nobody Lives Here,” with art and text by artist Tessa Hulls, and “Resistance at Home,” an exhibit by the museum’s cohort of YouthCAN students. The exhibits are distinct but contain interconnected themes. “Nobody Lives Here” looks at the 1960s and the construction of I-5 through the Chinatown-International District, as well as its resounding effects, and connects it to national projects of urban renewal that have come at the detriment of low-income neighborhoods of color. Meanwhile, “Resistance at Home” features artwork from members of the museum’s youth program, who were asked to reflect on the history of resistance in the CID and what “resistance” and “home” mean to them personally.
Continue reading Wing Luke’s ‘Nobody Lives Here’ and ‘Resistance at Home’ Take a Look at Sound Transit and the Future of the CID