Welcome to our moon-synced movie review show, hosted by Saira Barbaric and NEVE. This duo of South Seattle creatives make multidisciplinary work together and individually. For this show, they’re ecstatic to join their love of astrology, ritual, and pop culture.
Stream this month’s podcast at the New Moon Movie Review official podcast website.
The short and sweet Obvious Child, directed by Gillian Robespierre and starring Jenny Slate, was released in 2014. Still, it gets its name from the 1990’s Paul Simon and Olodum (Black Brazilian drumming and performance collective/political movement, whose name means “God of Gods”) song “The Obvious Child.” “The Obvious Child” was Paul Simon’s reflection on mortality and aging, in which the singer is not only grown but has a child who’s grown. Simon asks, “Why deny the obvious child?” Given that the film Obvious Child is about an unplanned pregnancy in the life of a 20-something comedian, you might think the obvious child is the one that might have been. Still, I like to think that the obvious child is the one in the heart of Slate’s hilarious Donna. Paul Simon and Olodum’s song features in the film as well. Its freckled, speckled, peppered, stacked, happily gnashing drums accompany the scene in which Donna and her one-night stand Max (Jake Lacy) hook up for the first time and inadvertently get pregnant. It’s a very charming scene, with a lot of dancing, jumping, and playing around. Very little obvious sexy time, which I found endearing and wholesome. They were genuinely enjoying themselves, and the movie wanted us to know this. The downside to this scene and song choice is that Max owns both khakis and bongos. You do the math.