The State of Washington released a report on Feb. 10 showing that white people are getting a higher proportion of the limited amount of COVID-19 vaccines than other races and ethnicities in the state.
For Trang Tu, a community activist who cares for her elderly mother — who has dementia and needs 24-hour care — getting a vaccine presented numerous hurdles. Tu eventually got a last-minute tip from a mass vaccination site in Snohomish county, a long drive from her home south of Rainier Beach, and her mother is now vaccinated. “It’s not just limited supply of vaccines itself,” Tu said. “Access is not equal. It favors people who have time, an internet connection, transportation, and a certain language.”
Tu’s mother was able to overcome systemic barriers because, Tu says, “I have some privilege: I have a computer, I have a car, I can do advocacy.” Many other BIPOC people aren’t as fortunate.
A statewide partnership of public officials and private groups on Monday, Feb. 15, announced plans to put $30 million toward a new equity initiative intended to boost COVID-19 vaccination rates among Black, Brown, Indigeneous, and People of Color (BIPOC) communities and other groups disproportionately affected by the pandemic.
“The goal on this initiative is to raise $15 million to match government dollars around vaccine outreach and education,” said Lilliane Ballesteros, executive director of the Latino Community Fund of Washington. “Now is the time to mobilize our collective resources quickly to those in need.”
(This article was originally published by Real Change and has been reprinted under an agreement.)
The line to enter the Columbia City Farmers Market stretched down 35th Avenue South, curving down South Ferdinand Street, shoppers standing the designated six feet apart in the shade of the trees of the shuttered Interagency Academy. Vendors stacked fresh vegetables and prepared food on tables that lined each side of South Edmunds Street, tokens of normalcy in abnormal times.
Just a block away, Monika Mathews had a small table of her own set up in front of QueenCare, the natural skincare company that she launched in December 2018. Colorful face masks and dangling earrings next to Black Lives Matter shirts and a handful of her handmade products lay out to tempt customers, as a person filled bottles with handmade products inside the small storefront.
South Seattle-based interdisciplinary visual artist Carol Rashawwna Williams explores the often-overlooked intersection of racial injustice and climate change. Her somber, monolithic prints slowly sway from the ceiling of Seattle University’s Hedreen Gallery, evoking a grave feeling of interconnected grief and pain. Williams’ current exhibit, “For the Record”, showing through Oct. 11, examines the stark similarities and disparities of two seemingly different issues: global warming and the lasting impacts of slavery.
Williams also serves as the Co-Executive Director of Community Arts Create (CAC), a nonprofit. CAC works to combat gentrification and the displacement of communities of color in the Hillman City area by building and strengthening relationships through community art programs and neighborhood engagement. The South Seattle Emerald spoke with Williams about her upcoming annual fundraiser for Community Arts Create, which will take place on Oct. 25 at the Hillman City Collaboratory.
Non-unionized workers, laborers, sex workers, freelancers, nannies, house cleaners, workers living with disabilities, and baristas: the economy is not working for you. Neither are the current labor laws.
At Got Green, we feel the energy and national conversation sparked by the Green New Deal as proposed by Alexandria Ocasio-Cortez is a good thing. In this moment, it is possible to make societal change on a massive scale. Climate Change — and the fact we must restructure our lives to survive impending environmental disasters — has captured the imagination across generations. All of this is a really good thing.
When I saw Edgar Arceneaux’s installation — a large, wooden structure on display at Henry Art Gallery on University of Washington campus through June 2 — Abraham Lincoln’s log cabin came to mind immediately. Before I could digest, wonder, or analyze that thought, Donald Trump’s slatted fence came to mind.
City staffers from the Human Services Department, community members, and activists say that Mayor Jenny Durkan sidestepped the city’s own procedures and race-equity process in the appointment of Jason Johnson as the director of the Human Services Department (HSD).
Rainier Beach is the new gentrification ground zero. I have a front row seat. I recently celebrated my seventh anniversary of being a homeowner. I have watched my neighbors get foreclosed on and pushed out. I have watched the house flipping teams come through and trim up the yards, slap up new fences, and paint over bright color with the neutral blues and grays white people seem to prefer. When I walk through my neighborhood now, it’s a lot less like the vibrant diverse place I chose to live in and a lot more like Pleasantville.
Michael Bennett and Macklemore gifting a copy of Teaching for Black Lives to Seattle language arts and social studies teachers
by Carolyn Bick
Former Seahawk Michael Bennett and rapper Macklemore felt strongly enough about the importance of education for Black students that they’re sending copies of Teaching For Black Livesto every every language arts and social studies teacher in middle and high schools in Seattle Public Schools. On Monday, co-editor Jesse Hagopian and his fellow co-editors will hold a discussion on the book and improving education for Black students. Less than a week prior, Hagopian announced the gift that Bennett and Macklemore are making to educators the community.