by Susan Fried
The large, unfinished room in the Central District apartment complex Midtown Square was filled with local artists and art supporters on Saturday, Feb. 26, for the official unveiling of a 6-foot-tall bronze sculpture of renowned Seattle sculptor and painter Dr. James W. Washington Jr., created by Barry Johnson.
Continue reading PHOTO ESSAY: Sculpture of Seattle Artist Dr. James W. Washington Jr. Unveiled
by Kamna Shastri
The life-size metal sculptures of George and Gerard Tsutakawa — father and son — are solid mainstays gracing public parks and fountains across Seattle today. The sculptures are almost always curved, edges rounded. Rarely will you see sharp, angled corners or ridges in these designs. Continuity runs through each individual sculpture — and between the sculptors themselves. A new exhibit at the Wing Luke Museum, titled “Gerard Tsutakawa: Stories Shaped in Bronze” dives into the public art, inspiration, and processes of both father and son.
Born in 1910, George was Nisei, second generation Japanese American. He was never very interested in his studies, “preferring to practice his drawing and calligraphy,” writes his daughter Mayumi Tsutakawa. George received his B.A. from University of Washington (UW) in 1937 and volunteered for the United States Army during WWII, mostly teaching Japanese at a military intelligence school in Minneapolis. During WWII he also visited his relatives interned at the Lake Tahoe internment camps, where he met his future wife Ayame Kyotani.
Both husband and wife were artists in their own right: Kyotani a gifted practitioner of traditional Japanese dance and flower arrangement and George an architect, designer, and sculptor, among other things. After he completed his M.F.A., also at the UW, George took on faculty positions at the School of Architecture and later the School of Art. He would go on to teach for 37 years, make a home with his wife in Mount Baker, and raise four children surrounded by the rhythms and inspirations of his in-home studio. His artistic career would span 60 years, leaving footprints in Japan, Canada, and across the United States, making him a pillar of Seattle’s Asian American heritage.
Continue reading George and Gerard Tsutakawa’s Artistic Legacy Honored in New Wing Luke Museum Exhibit
by Rayna Mathis
Seattle’s Central District (CD) has gone through drastic changes over the last 20 years. Many communities have called this historic neighborhood home: Jewish people, Japanese Americans, and African Americans. Long-time residents and displaced families whose histories go back generations will lament this sentiment.
If you’ve been to the CD in the last month, you might have noticed an important piece of 23rd and Yesler missing — the Soul Pole. In the summer of 1969, as part of President Johnson’s Model Cities Program (which ended in 1974), the Soul Pole was carved in a month by five teen artists, aged 14–16: Brenda Davis, Larry Gordon, Gregory Jackson, Cindy Jones, and Gaylord Young and was led by Seattle Rotary Boys Club Art Director, Gregory X. The sculpture honors 400 years of African American history by using four figures to represent significant moments of the Black man’s experience from primitive, to slavery, to liberation.
Continue reading Where Did the Soul Go?