By Neve Kamilah Mazique-Bianco
At An Evening with the Residency Fundraiser at the Paramount Theatre on Sept. 28, Seattle hip hop community, family, and patrons celebrated five years of youth development and empowerment through the Residency, a hip hop program created in 2015 by a collaboration of the Museum of Pop Culture Seattle, Arts Corps, and Macklemore and Ryan Lewis, emphasizing the need for all of us to create, remember, love, celebrate and sustain home.
Continue reading THE RESIDENCY NEEDS A RESIDENCE
by Gus Marshall
Lady Jay The Musical Poetress is a contemporary folklorist and modern day story teller who chooses to communicate her truth through the medium of musical poetry.
Self-reflective poems, unabashed and extremely personal, are front and center on Lady Jay’s new album, The BrainBox. Production that runs the gamut from guitar-heavy arena rock, to neo-soul electronica, lays the groundwork for Lady Jay’s powerful message of self-love, perpetual struggle, and soul-filled resilience. Paired with befitting backing tracks produced by Lady Jay’s husband Allen Hunter (also known as “AFlat”), The BrainBox takes the listener on a theatrical journey.
Continue reading Q&A: Lady Jay The Musical Poetress Talks New Album, Struggle, and Discovering Herself
Baljit Sangra is the writer and director of Because We Are Girls, a documentary film about three sisters who suffered sexual assault at the hands of a trusted relative. Sangra talked with the South Seattle Emerald about the making of the film, the difficulties in breaking away from a culture that teaches girls and women that they are lesser than their male counterparts, and how cultural dynamics between older and younger generations play into the narrative.
Continue reading Q&A: Because We Are Girls writer and director talks cultural silence and breaking the cycle around abuse
by Leija Farr
Queen Street is an original work by Randy Ford that uses dance to highlight intersectionality through the lens of queer, trans, nonbinary, and gender nonconfirming people of color. The show plays at the Langston Hughes Performing Arts Center Sept. 20 and 21. The event is community- and grant-funded. Visit Brown Paper Tickets to purchase seats. Continue reading Queen Street Examines Identity Through Dance
(This article was originally published in Real Change and has been reprinted with permission)
by Lisa Edge
When Osa Elaiho enters his studio in the early morning hours of the day, he begins with a routine before making a brush stroke on the canvas. First, he starts with a prayer. Next up is music to set the tone. His taste ranges from composer Antonio Vivaldi to Burna Boy, an Afro Fusion singer and songwriter who has two songs on the new “Lion King” soundtrack. Each chord fuels his ingenuity. His passion for music is as strong as his love for creativity.
Continue reading Framed in Harmony: Osa Elaiho mixes Faith, Family and Culture into Columbia City Gallery Exhibit
by Carolyn Bick
Tommy Swenson and Casey Moore were obsessed with movies as kids. Growing up in Seattle’s University District in the 1990s only served to further that obsession.
“There were, like, five or six different movie theatres, and Scarecrow Video, and Cinema Books,” Swenson said. “I was really plunged into this movies incubator, where I had access to see so much and got such an education, just by watching a lot of movies.”
Continue reading New Beacon Cinema Grows Out of Shared Love of Film